While learning to code in my own patterns in polygomé I got the monophonic bass grove going on the Andromeda (A6). I love the interference pattern created by playing polygomé polyphonically with a monophonic patch. The A6's ribbon controller gives me the lovely filter sweeps.
Then I set up Ultrabeat in Logic and got that going with boiingg. Fun! Polyrhythms for those with no percussion training whatsoever! After I had recorded both of these tracks (A6 bass, boiingg drums) I realized that (á la map~map) they sounded pretty good played simultaneously, so I just left them at that.
Then I played with some bell sounds on my Prophet (p600). Panned them hard left. Then I dug up an old lead sound I programmed on my p600 about 16 years ago that served me well then, and it serves me well now, towards the end of the track, panned hard right.
Okay, so, anyone with tips out there on how to make electronic dance music more interesting? I don't know what to do when the old fashioned verse / chorus structure isn't there. And also on my mixing, arranging and "mastering" (placed, quite deliberately, in scare quotes). Did I over-compress it? Over-anything else? Etc.?
I would welcome any constructive criticism (especially from those of you out there on Soundcloud). Thanks for following, and thanks for the support. Peace
Nathan, I got a new MacBook today. Finally, I can easily enjoy your music simply by clicking on the "play" button.
ReplyDeleteThis piece above is really cool. I look forward to discussing it with you soon.
pure sugar.
ReplyDeleteyou should do videos more often
robb